00100	. DEVICE XGP    
00200	.spacing 10*5 mills;
00300	.EVERY HEADING(,{PAGE},)
00400	.AREA TEXT LINES 4 TO 40
00500	.FONT 1 "METL"
00600	.font 2 "METLI"
00700	.font 3 "METS"
00800	.font 4 "MUS[HHA,LCS]"
00900	.font 5 "MUZ[HHA,LCS]"
01000	.FONT 6 "BASL35"
01100	.PORTION MAIN;
01200	.PLACE TEXT;
01300	.COUNT PAGE FROM 1 TO 999;
01400	.COMPACT
01500	.<< Put in a footnote. >>
01600	.
01700	.COUNT FOOTNOTE INLINE FROM 1 TO 999 IN PAGE PRINTING ⊂"*****"[1 TO FOOTNOTE]⊃
01800	.<<	(IF THISDEVICE = "XGP" THEN "%51%*" ELSE "[1]");>>
01900	.
02000	.FOOTSEP ← "__________";
02100	.AT "$$" ENTRY "$"
02200	.	⊂
02300	.	NEXT FOOTNOTE;
02400	.	FOOTNOTE!;
02500	.	SEND FOOT
02600	.		⊂
02700	.		BEGIN "NEXT FOOTNOTE"
02800	.		SELECT 1;
02900	.		SINGLE SPACE
03000	.		SPACING 0 MILLS
03100	.		INDENT 0,0,0;
03200	.		(FOOTNOTE! & " ");
03300	ENTRY
03400	.		END "NEXT FOOTNOTE";
03500	.		⊃;
03600	.	⊃;
03700	.
03800	.TURN ON "∂%↓_↑↓[&]","α"
     

00100	.PAGE←122
00200	.NEXT PAGE
36900	.FILL INDENT 6
37000		Because of the slight changes in the presentation of the motive
37100	in bars 65-69, we now find somewhat different harmonic details.  The
37200	harmony of bar 65 is first heard as ↓_c_↓: I, the disjunctly approached A%4F%1
37300	at the end changing the function to VI%47%1.  Continuing on this basis,
37400	bar 66 will give ↓_c_↓: II acting at same time as ↓_f_↓: %4N%1VI, which then becomes
37500	↓_f_↓: IV%47%1 at the end of the bar.  (Note that a B%4F%17 chord rarely can be
37600	truly functional in ↓_c_↓.)  Bar 67 then has ↓_f_↓: %4N%1VII to V%47%1, which works
37700	equally well as ↓_g_↓: %4N%1VI to IV%47%1. This leads 
37800	to ↓_g_↓: %4S%1VII%47%1 in bar 68 and
37900	then I at the beginning of bar 69.
38000	.BEGIN VERBATIM
38100	
38200	Figure 93g
38300	.END
38400	.CENTER
38500	%6⊂⊗⊃L[α%0.02,α%-1.02]:N93FG.PLT[C9,LCS]⊂⊗⊃%1
38600	.SKIP 4
38700	.FILL INDENT 6
38800		However, it hardly seems necessary to show these changes of
38900	%4N%1VI to IV%47%1, etc. in bars 66-68, the root of each seventh chord being
39000	delayed until the last eighth note.  But if the same reasoning is
39100	applied to the slightly different structures of bars 65 and 69, what
39200	is first heard clearly as a minor I chord then is "completed" 
39300	as IV%47%1 of a major key.
39400	Thus a momentary tonic of ↓_E%4F%1_↓ is implied, overlapping with the ↓_c_↓
39500	of bar 65 and the ↓_f_↓ of bars 66-67.
39600	.BEGIN VERBATIM
39700	
39800	Figure 93h
39900	.END
40000	.CENTER
40100	%6⊂⊗⊃L[α%0.02,α%-2.85]:N93FH.PLT[C9,LCS]⊂⊗⊃%1
40110	. << SIZE .9 >>
40200	. << SIZE .9 >>